By Lisa Funnell,Man-Fung Yip
Critics often describe the impact of "America," via Hollywood and different cultural industries, as a kind of cultural imperialism. This unidirectional version of interplay doesn't tackle, notwithstanding, the counter-flows of Chinese-language motion pictures into the yank movie industry or the effect of chinese language filmmakers, movie stars, and aesthetics in Hollywood.
The objective of this assortment is to (re)consider the advanced dynamics of transnational cultural flows among American and Chinese-language movie industries. The target is to convey a extra ancient point of view to the topic, focusing as a lot at the Hollywood impression on early Shanghai or postwar Hong Kong movies as at the intensifying flows among American and Chinese-language cinemas in fresh many years. members emphasize the approaches of appropriation and reception concerned about transnational cultural practices, reading movie creation, distribution, and reception.
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Additional resources for American and Chinese-Language Cinemas: Examining Cultural Flows (Routledge Advances in Film Studies)
American and Chinese-Language Cinemas: Examining Cultural Flows (Routledge Advances in Film Studies) by Lisa Funnell,Man-Fung Yip